RME Fireface UC USB 2.0 36-Channel Audio/MIDI Interface

RME Fireface UC USB 2.0 36-Channel Audio/MIDI Interface

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The RME Fireface UC provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit s operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS the Fireface s MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver. Under both Operating Systems the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance previously not available from USB audio interfaces. The new interface not only makes the leading-edge RME Fireface technology available for every PC and Mac computer, it also provides a unique low-latency concept and a high grade of performance and compatibility, making the dream of the perfect and future-proof mobile pro audio recording solution come true. The Fireface UC features all of the proven RME analog and digital circuitry. It is the only device in its class with active jitter suppression, enhanced stand-alone functionality and complete controllability from the front panel, highly flexible I/Os in professional quality, and an unsurpassed 648-channel matrix router - at sample rates of up to 192 kHz. Integrated DSP mixer. All inputs and outputs can be freely mixed, routed, and distributed with Rimes TotalMix software. Up to 9 totally independent stereo submixes can be set up. Every output channel, and every submix channel can be recorded directly and without external cable loops. TotalMix can be completely MIDI remote controlled. The DSP-based hardware calculates RMS and Peak levels for all channels, without causing any significant CPU load

Feature About RME Fireface UC USB 2.0 36-Channel Audio/MIDI Interface :

• Enhanced stand-alone operation with rotary encoder and front panel display
• Sample rates up to 192 kHz on all I/Os (including 2 ADAT channels with SMUX4)
• SteadyClock for maximum jitter suppression and clock refresh
• Two digitally controlled Mic Preamps in high-end quality
• Two balanced universal inputs for line and instrument signals

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